Kari and Maureen

born on the 25th of March, 1970. Canadian actress. Born in the village of Spalding Saskatchewan Matchett started her acting career when she moved to Ontario. In the 1990s, she first appeared on Canadian television. When she moved back to United States she appeared in The Secrets of Nero Wolfe Invasion 24, The Hours Studios 60 at Sunset Strip Ambulance Earth. Sunset Strip Ambulance Earth. It was the Last Conflict. She received an award, the Gemini Award, in 2001 in recognition of her performance on The Department of Wet Cases on the Canadian television series The Department of Wet Cases. In several seasons, she played the ex-wife of one of Impact's principal characters. She's been playing Joan Campbell since 2010 in the TV show Covert Operations. Cube 2 was a Canadian feature film from 2002. Alongside Hypercube, she was also in Angel Eyes Boys with Broomsticks The Tree of Life and Boys with Broomsticks. Divorced. Her first child was a son, named Jude Lyon Matchett was born in June of 2013. Maureen O'hara..........................From her first appearances on the stage and screen Maureen O'Hara (b. 1920) attracted attention for her stunning beauty with radiant red-hair and captivating performances. Her charmed audience members with her easy confidence and powerful presence, whether she was being saved from the gallows (The Hunchback of Notre Dame in 1939), falling for Walter Pidgeon under a coal blackened sky at the beginning of 1941 (How Green Was My Valley), or learning to believe in miracles with Natalie Wood (Miracle on 34th Street in 1947). Maureen O'Hara by Aubrey Malone is the first book of its kind to provide a full biography on the screen legend called Queen of Technicolor. Aubrey Malone, a film critic, who tracks the actress's journey from her childhood in Dublin until her peak in Hollywood The book draws up new information and information of the actress's life from Irish Film Institute film production notepads and old newspaper articles and fan publications. Malone also examines her relationship with frequent costar John Wayne and her relationship with director John Ford and he addresses the controversial issue of whether the screen siren could be considered a feminist, or antifeminist figure. She was always unknown, in spite of being one of the most famous icons of golden age film. Her reputation was based on her privacy and for making controversial public statements which were against her own choices. This new biography gives an opportunity to look at the person who created her iconic image of the past.